PostMistress Press Anthology Contributor Banned from Facebook and Posts for Anthology Blocked

‘ESCAPE ARTISTS’ POSTMISTRESS PRESS ANTHOLOGY NEWS

By Ruth Skilbeck, Editor

One of the 'Escape Artists' contributors, Christen Clifford, lecturer at the New School in New York, feminist artist and mother of two, has been banned from Facebook for her posts on her fight against cancer, and her posts blocked, some of which, with her permission, we were going to publish in the ‘Escape Artists’ PostMistress Press Anthology. We had not yet obtained Christen’s posts and when we were about to, found that she had been banned and her posts are now inaccessible.

     Just as we are about to launch our crowdfunding project, Christen Clifford’s posts have been censored, due to her courageous and candid #fuckcancer diary with images, photos and her thoughts, and her brave performance art on her recent diagnosis of cancer, hysterectomy and removal of ovary and her chemo, which she is documenting for her friends, readers and followers.

     Melbourne-based artist Elizabeth Gertsakis who is writing her PhD and making digital art prints on Outrage, Obscenity and Madness (sex, vile gossip, art and illustration)  “the tight pictorial censorship laws still in place today covering images and censorship in the state of Victoria” will now be in the anthology instead. Two of Elizabeth’s prints have just been acquired by the National Gallery of Australia. If Christen is allowed to return to facebook and her posts are released, with permission, we will publish them, in this issue if time allows or in the next one.
We can only publish the Escape Artists: PostMistress Press Anthology 1 with your help, we need $7000 to publish. Check out the site here with the details, of how you can pre-order and/or make a donation to receive some special rewards of signed, numbered limited first editions with supporters and sponsors names in the Acknowledgements page.
https://pozible.com/project/postmistress-press-anthologyhttps://pozible.com/project/postmistress-press-anthology

2 June, 2016

Refugee Writers- a new anthology, edited by Rosie Scott and Thomas Keneally

Another Country- Writers in Detention was a landmark anthology of writings by refugees detained in camps in Australia, edited by award-winning authors, Rosie Scott and Thomas Keneally, and published by Sydney PEN (Poets, Essayists, Novelists) and Halstead Press in Sydney in 2004.

Now Rosie Scott and Thomas Keneally (author of Schindler’s Ark turned into the Hollywood movie Schindler’s List) have edited another anthology of writings by well-known Australian authors, on refugees, which is designed to raise public awareness of the new crisis in Australian refugee policies and the appalling conditions that are once again facing those poor legal refugees held in detention camps run by the Australian Liberal Government on the islands of Manus, Nauru and Christmas Island.

A Country Too Far: Writings On Asylum Seekers was published in October by Penguin and is available in eBook and print book editions. It contains stories and poems by a raft of Australian authors including Christos Tsiolkas, Gail Jones, Anna Funder, and Rosie Scott and Thomas Keneally amongst many others- including refugee writers.

The Daily Fugue published an exclusive interview with Rosie Scott by Ruth Skilbeck on the issues of refugee policy and offshore detention, just over two years ago. Ruth also interviewed Rosie Scott in 2008 on the anthology Another Country and her work with PEN, for articles published in peer reviewed academic journals- Communication and Critical/Cultural Studies and Pacific Journalism Review. 

These are listed below.

Ruth Skilbeck 15/11/2013

Skilbeck, Ruth  (2010), ‘Exiled writers, Human Rights, and Social Advocacy Movements in Australia: A Critical Fugal Analysis’, Communication and Critical/Cultural Studies, Vol. 7, No. 3, September 2010, pp. 280-296

-- -- (2009).'Arts Journalism and Exiled Writers: A Case Study of Fugal, Reflexive Practice'. Pacific Journalism Review, Vol. 15, No. 2, Oct 2009: 132-151

-- -- (2011) 'Refugee children and the Malaysia Solution: "a very scary proposition,"' The Daily Fugue, August 7, 2011.

UPDATE Australian Fugue literary novels: The Antipode Room and Sayonara, Baby

Due to technical issues, publication and distribution of these books was delayed. The books will be on sale to the public soon, information will be posted here.

by Ruth Skilbeck

I thought I would share with you some of the themes of The Antipode Room in my literary novel series Australian Fugue, which will be published as an e-book and printed book.

Ruth Skilbeck 

Photo: Jacquelene Drinkall, 2013

Australian art, love, eroticism, free spirits, betrayal and revenge, in the contemporary art/punk scene, are the themes of Ruth Skilbeck’s first novels in the Australian Fugue series, The Antipode Room, and Sayonara, Baby.

Ruth Skilbeck’s Australian Fugue novel series, traces the trajectory from not knowing to self-knowledge of the main protagonist Roxanne- Ruby.

The series begins in the novel, The Antipode Room. The first novel is set in the 21^st century, in London, Sydney, Newcastle NSW, Cooper Peedy and the desert. The main character “Countess Ruby Rivers” arrived in London, from Australia in a state of fugue, loss of awareness of self, she has lost her memory of her own identity and past – and met her to-be husband, a professor of philosophy, when she takes a course to try to find out more about herself, through philosophy.  With Hugo's support, she runs a contemporary art gallery and the polyphonic narrative traces their one-way doomed trip to Australia to collect contemporary Australian artists for The Antipode Room, where she meets by chance artist Raymond Furness – one of the reasons for her leaving Australia and going into a state of psychogenic fugue, and she goes with him on a painting trip to the Central desert, in a nightmarish night of hallucinations in the opal town Coober Peedy, in the desert, she confronts the causes of her fugue, and returns to find violinist Margarita – who is metaphorically murdered in the course of a sexual encounter. How this murder happened and who did it is the theme of the fugue, the first in the series Australian Fugue, which introduces the four voices, of Ruby, Margarita, Raymond and H.

The second Fugue novel, Sayonara, Baby is set in 1980 and 1981 mainly in Adelaide, also Melbourne, Canberra, rainforest outside Grafton and high country near Cooma, and in Sydney. Told in realism mode, it reveals the “true story” of how Roxanne-Ruby, who moved from Northern Ireland to Australia with her (Australian colonial) family- struggled to cope, when her best friend Margarita from school in County Antrim, moved into the place she vacated in her family home, in Canberra, after being kicked out by her Father who disapproved of her affair, aged 17, with biker, S. Unknown, perhaps, to her parents he is an heir to a fortune, inherited from his deceased German-Jewish father who committed suicide after S’s mother left him for her relationship with the principal of S’s alternative school in Melbourne (himself the heir of an Australian General’s dynasty). In this realism-mode of first person confessional novel, Roxanne, runs away from home only to leave S when Roxanne begins her own independent life at university. Things go awry after Roxanne begins a passionate “not-love” affair with Ray Furness, unofficial leader of neo-Dada art group the Art Criminals in Adelaide when her former best friend Margie moves into Roxanne’s new love with Ray; after a series of triangular relationship betrayals, and revenges, Roxanne leaves Australia, feeling nothing, and unaware of what she is flying into. But following the first novel’s hysterical tone, Roxanne, the narrator, is able to reconcile the truth against illusion and fantasy and come to the freedom of self-empowerment.

Reading:

As they are not consecutively ordered, and have circular structure, either fugue novel can be read first. They are separate novels written in different styles, and it is likely that some readers may like one more than the other, the second has more ‘sympathetic’ characters, and is a realistic view into the cultural time in Australia, it is set in Australia in late 70s to the early 1980s. The first fugue narrative is told in several voices, interweaves dream, reality, carnival and sophisticated eroticism, and is fantastical in places some readers may find shocking. The novels focus on the representation of self, and love in art and in life, they offer new literary fictional insights into passionate love affairs and the creative process, in contemporary Australia, of artists and writers, and are intended for a mature audience.

Both novels are fictional, and contain no intentional references to any real characters or events (other than the public figures and cultural and political history mentioned in the narratives as background to the stories).

The novels first began life, in much earlier form, as the novel Ruth Skilbeck wrote for her MA in Writing, at UTS. She went on to do her PhD in Creative Writing on fugue in literary narratives. This is due to be published soon, to be followed by a second book of critical theory on fugue narratives by Ruth Skilbeck that expands on her PhD.

The two novels will be for sale through Ruth’s Pozible campaign from the week of 28.10.13, as physical books and as e-Books that may be read on computers, phones, tablets, and e-Readers. The books will be delivered by mail after the Pozible campaign has ended. The e-Books will be sent after the campaign is ended. These is a numbered limited edition of the first print edition, and the author Ruth Skilbeck will sign the numbered copies of the printed book first edition.

The links for the Pozible campaign will be made available at intervals through Facebook by Ruth Skilbeck, and also on her websites, and website of her author-publisher house, Postmistress Press.

Pre-order the Antipode Room here: The Antipode Room pre-orders

Coming Next by Ruth Skilbeck:

Ruth Skilbeck’s Australian Fugue novel series, traces the trajectory from not knowing to self-knowledge of the main protagonist Roxanne- Ruby. The series begins in the novel, The Antipode Room. Planned publications:

PhD

Critical theory book from PhD 

AUSTRALIAN FUGUE Book 3 - Faerie Child - 2014

Faerie Child is set in the civil war in Northern Ireland where Roxanne is a teenager

All the best and happy reading,

Ruth

About Ruth:

Ruth Skilbeck has worked as a freelance: writer, art critic and literary reviewer, journalist and photographer, in Ireland, England and Australia including for the BBC World Service, national newspapers, magazines, and international arts periodicals; her work is also published in academic journals and books. She has a BA Honors in Philosophy from Birkbeck, London, MA and PhD in literature from UTS (University of Technology, Sydney). She also has a university teaching qualification in Higher Education Teaching and Learning  She has taught Communications and Media, and English and Creative Writing, and has designed, written and taught courses in writing and media publishing.    

Now Available:

Australian Fugue: The Antipode Room a novel by Ruth Skilbeck is on sale from PostMistress Press and on Amazon.

The link to the print book and kindle ebook on amazon where you can buy the books:

Australian Fugue: The Antipode Room. 

http://www.amazon.com/Australian-Fugue-The-Antipode-Room/dp/0992277922.

Australian Fugue literary novel series- Postmistress Press Video

Here is a short pitch in written text and the video (click on the pozible badge, right of this page to access). Which do you think is most effective in communicating the ideas of the novel?

Using a video pitch in promoting crowd funding projects apparently increases the chance of success. 85-90% of successful projects have a video, according to crowd funding sites Pozible and Kickstarter.

We are not so sure without gaining feedback on our work.

Which text is most likely to convince you to read - and buy- the book? This is part of our research into what works and what does not, in literary arts online publishing in Australia - and your input would be much appreciated and valued, if you have time to think about this.

Video text:

The Antipode Room is the opening novel in the Australian Fugue series of literary novels by Dr Ruth Skilbeck, and her first novel produced by Postmistress Press, and this video is the Postmistress Press pitch for the novel, for crowd funding pre-orders, of The Antipode Room as eBook and/or printed book. In the video, Ruth explains that she has started the first author-publisher press in Australia to publish literary novels, PhD and MA theses, and literary arts writing by Australian and international authors. Ruth is an arts journalism and contemporary media arts specialist who has lived and worked in Dublin, Ireland, London and Sydney. She has worked as a journalist, arts writer and university researcher, and lecturer. She has published many dozens of essays and articles with her photographs, in leading arts periodicals, national newspapers and periodicals, academic peer reviewed books and journals, and she has worked as a writer and presenter for BBC World Service Book Choice program. When she has published her own books, if this project is successful, she will publish books by other authors. Please help support new literary writing by making a pledge for a pre-ordered copy of the Antipode Room. The pre ordered copies will be in a limited first edition, of signed printed books, and eBooks will include a list of supporters, (unless they do not wish their name included and this is specified). This is a chance to take part in a historical literary moment: The Antipode Room, is the first publication of the first author-publisher press in Australia which is linking Australia into alignment with a new author-press movement that has already taken off in the US and UK. Further information about Ruth Skilbeck’s books and Postmistress Press can be found here on Ruth’s blog: The Daily Fugue.

What do you think, does the video work, does it make you more inclined to read the book, or less? We are happy to receive comments and feedback, in the comments section. 

Thanks.

Ruth Skilbeck

Postmistress Press: keeping you posted

Postmistress Press: Notes from the Publisher

by Ruth Skilbeck

 I am now, as an author-publisher, writing and publishing my books, ten books that I have written over the past 15 years, of taking an MA and PhD in creative writng, and lecturing in universities, on contracts and working as a freelance arts writer. I am doing this, as there appears to be no one else in Australia taking this initiative and joining the new global literary movement of author-publishers, which is thriving in other parts of the world. I have wanted to publish my books for several years but held back until now due to the crisis in publishing - and authors not being paid in academic publishing. I have published over 10 articles in leading peer-reviewed research books and journals in my field  (including Communication and Critical/Cultural Studies, ERA A listed journal, and a forthcoming article on a photographic research series I made, in International Journal of the Image) and hundred of media articles, in leading arts periodicals, newspapers and magazines (lists available), but still not making any income as an academic writer and blogger over the past years. To keep on writing, and working as a writer, and on encouragement and requests from readers of my works, I am starting up a new author-publisher house, Postmistress Press, in the cottage I own in Newcastle NSW, which was the first post office and telegraphy office in Adamstown, the inner city suburb (which had a postmistress). I plan to publish my own books of literary fiction, critical theory, and collections of my published essays and articles. Then I plan to publish books by authors, in the areas of my research.
     The only way I can do this is through support of readers, and that is why I am starting up by publishing my first two novels with pre-orders from a Pozible crowd-funding campaign. Without financial income support from book sales, I will not be able to do it, so all pledges for book pre-orders are very much appreciated, as sales are required to keep me going with my plans and enable me to publish my books, and then publish new works by authors in Australia, and internationally, if my publishing receives enough financial income from sales, I can do this, if not I will have to go back to contract teaching.

     My income is from publishing, so far as I have not yet published any books, income is nil, so the results of the first book sales, will be critical to the sustainability of the first year of my enterprise, which began in September. I have one year to see if this will work or not. Please help me support new Australian writing and literature by supporting, and buying, my books.

      If contributions exceed the target, the chance of being able to publish my next books will increase as all sales go into the publishing house.  My publishing house is a small literary enterprise that will be reliant on income from sales of books, to survive. I am the main employee at present, but if the house grows, later it will employ others to work in publishing books, as well as contracting for cover design, videos, and editing.

     I also plan to run teaching courses in writing and new publishing later in the year, and the success of this enterprise is critical to that as well. This is the first author-publisher house in Australia which aims to publish original new literary arts books, fiction and critical theory, and PhDs and MA in creative writing books. If it receives sufficient income to keep going, it can make a contribution more broadly to encouraging new Australian literary arts cultures. Postmistress Press, and this enterprise has been enabled by support from the Department of Education, Employment and Workplace Relations' funding for small business, which is very much appreciated.

Project sponsors and acknowledgements:

Ruth Skilbeck and Postmistress Press thank:

• Department of Education, Employment and Workplace Relations
• New Hunter Business  

and the book lovers who pre-order books and art,  for their support.



Ruth Skilbeck, November 2013