An essay from my research into Australian colonial family histories and "stolen generations" is now published in the latest issue of the Journal of the Motherhood Initiative for Research and Community Involvement, produced by the MIRCI research Institute at York University in Toronto which is the leading research institute in the world in this field.
"The mandate of the Journal is to publish the most current, high quality scholarship on mothering-motherhood and to ensure that this scholarship considers motherhood in an international context and from a multitude of perspectives including differences of class, race, sexuality, age, ethnicity, ability and nationality."
The inspiration for this article is documented on this blog in the eponymous post "Remembering Australia's Forgotten Mothers", (The Skilbeck Scrolls 29/6/2011) and this blog post is included as a part of the article.
I was employed, throughout 2012, on a one-year contract as a Lecturer at the Journalism and Media research Centre (JMRC) at the University of New South Wales, and the JMRC fully funded my conference trip to Canada to present my research at the MIRCI conference Mothers in HIstory, Histories of Motherhood, in Toronto.
I have found out much more since then, in my "secret research" into "hidden histories" in Australia.
Ground breaking is hard work and little rewarded historically by the administration in this country- as the ghosts of convicts and Indigenous peoples will testify. So I am just glad that I managed to ferry this dream-vison of a creative non-fiction writing piece into international publication.
And as the author I raise my glass to launch its passage into the world. Cheers.
http://pi.library.yorku.ca/ojs/index.php/jarm/issue/current
Showing posts with label Australian colonial history. Show all posts
Showing posts with label Australian colonial history. Show all posts
Thursday 10 January 2013
Remembering Australia's Forgotten Mothers Revisted
An essay from my research into Australian colonial family histories and "stolen generations" is now published in the latest issue of the Journal of the Motherhood Initiative for Research and Community Involvement, produced by the MIRCI research Institute at York University in Toronto which is the leading research institute in the world in this field.
"The mandate of the Journal is to publish the most current, high quality scholarship on mothering-motherhood and to ensure that this scholarship considers motherhood in an international context and from a multitude of perspectives including differences of class, race, sexuality, age, ethnicity, ability and nationality."
The inspiration for this article is documented on this blog in the eponymous post "Remembering Australia's Forgotten Mothers", (The Skilbeck Scrolls 29/6/2011) and this blog post is included as a part of the article.
I was employed, throughout 2012, on a one-year contract as a Lecturer at the Journalism and Media research Centre (JMRC) at the University of New South Wales, and the JMRC fully funded my conference trip to Canada to present my research at the MIRCI conference Mothers in HIstory, Histories of Motherhood, in Toronto.
I have found out much more since then, in my "secret research" into "hidden histories" in Australia.
Ground breaking is hard work and little rewarded historically by the administration in this country- as the ghosts of convicts and Indigenous peoples will testify. So I am just glad that I managed to ferry this dream-vison of a creative non-fiction writing piece into international publication.
And as the author I raise my glass to launch its passage into the world. Cheers.
http://pi.library.yorku.ca/ojs/index.php/jarm/issue/current
"The mandate of the Journal is to publish the most current, high quality scholarship on mothering-motherhood and to ensure that this scholarship considers motherhood in an international context and from a multitude of perspectives including differences of class, race, sexuality, age, ethnicity, ability and nationality."
The inspiration for this article is documented on this blog in the eponymous post "Remembering Australia's Forgotten Mothers", (The Skilbeck Scrolls 29/6/2011) and this blog post is included as a part of the article.
I was employed, throughout 2012, on a one-year contract as a Lecturer at the Journalism and Media research Centre (JMRC) at the University of New South Wales, and the JMRC fully funded my conference trip to Canada to present my research at the MIRCI conference Mothers in HIstory, Histories of Motherhood, in Toronto.
I have found out much more since then, in my "secret research" into "hidden histories" in Australia.
Ground breaking is hard work and little rewarded historically by the administration in this country- as the ghosts of convicts and Indigenous peoples will testify. So I am just glad that I managed to ferry this dream-vison of a creative non-fiction writing piece into international publication.
And as the author I raise my glass to launch its passage into the world. Cheers.
http://pi.library.yorku.ca/ojs/index.php/jarm/issue/current
Saturday 1 December 2012
The Enigma of Being Australian
By Ruth Skilbeck
Throughout the posts on this media publication site made since its inception in the last days of April 2011, as author and editor, I have followed a theme of flight which has emerged from the spaces beyond words in my sleep and in my dreams of writing, such a poetic not usually articulated in contemporary journalism however did drive the early journalistic writings of Romantic poets such as Thomas de Quincey in the early 19th century, as the inhabitants of the British Isles struggled to adjust to the changes of industrialisation that- historically and culturally - brought into being the era of modernity and in arts the era of modernism that reflected the alienation of the individual in modernity. Part of the enterprise of industrialised modernity was colonialism, and colonial exploration and discovery- and "conquest" of "indigenous" peoples was part of this power trip as it may now appear retrospectively.
As I have written into this online media publication, I have voiced some impressions from my perspective as an Australian, and emotionally driven writings about the experience of finding out about my family history in the wider history of Australian colonialism, and family histories which make up the body of writings that is known as colonial history in Australia.
I have not directly found any traces of indigenous or Aboriginal family in my research into my own family history on my mother line, which remains mysterious and enigmatic.
What I have found I shall publish in the future in this publication.
Meanwhile I shall say that this has made me profoundly sympathetic to the struggles of all who were affected by the Stolen Generations, and that as far as I am concerned this deeper cultural impact is greater than the enforced divisions of "aboriginal" and settler in the history of being Australian.
Throughout the posts on this media publication site made since its inception in the last days of April 2011, as author and editor, I have followed a theme of flight which has emerged from the spaces beyond words in my sleep and in my dreams of writing, such a poetic not usually articulated in contemporary journalism however did drive the early journalistic writings of Romantic poets such as Thomas de Quincey in the early 19th century, as the inhabitants of the British Isles struggled to adjust to the changes of industrialisation that- historically and culturally - brought into being the era of modernity and in arts the era of modernism that reflected the alienation of the individual in modernity. Part of the enterprise of industrialised modernity was colonialism, and colonial exploration and discovery- and "conquest" of "indigenous" peoples was part of this power trip as it may now appear retrospectively.
As I have written into this online media publication, I have voiced some impressions from my perspective as an Australian, and emotionally driven writings about the experience of finding out about my family history in the wider history of Australian colonialism, and family histories which make up the body of writings that is known as colonial history in Australia.
I have not directly found any traces of indigenous or Aboriginal family in my research into my own family history on my mother line, which remains mysterious and enigmatic.
What I have found I shall publish in the future in this publication.
Meanwhile I shall say that this has made me profoundly sympathetic to the struggles of all who were affected by the Stolen Generations, and that as far as I am concerned this deeper cultural impact is greater than the enforced divisions of "aboriginal" and settler in the history of being Australian.
My Story: A Family’s Hidden History
By Ruth Skilbeck
After
my Mother passed away, on October 1st 2008, my life changed irrevocably.
Not only was this a profound event of personal grief. But I have found out
things since then, about her life and her family history, which is my family
history and identity, which I had not known before whilst she was alive. I have
found out about a hidden history in my own family, an erased grandmother, and
family, aunts, I’d never known about. This has revealed a history of “white
lies” and cover-ups, in the older generation of my family, which had an even
deeper impact than finding out about the hidden family. In effect what this
meant was that for over 40 years of my life, I had not known who my family was,
I had been brought up under an illusion, benignly deceived about my own family- by my
family. Yet, this was not malicious, my experience is commonplace in
Australia. Between 1909 –1969, the era
known as the stolen generations, possibly over 100,000 children were taken from their mothers and families and
brought up as wards of state, in homes, and missions, or in adoptive families.
This
was part of the “White Australia” policy
of assimilation that was brought in with Federation in 1901. Prior to this,
Aboriginals were considered along with white settlers to be colonial subjects
of the British Empire. The policy of
assimilation, through removal and adoption, did not only affect one or two
groups. It was a policy that profoundly
and literally and symbolically mixed up Aboriginal and non-Aboriginal,
indigenous and non- indigenous identity in Australia. At the same time that there was deep
insecurity and searching in the ‘white Australia’ national psyche as to what
was national identity. As a consequence of this widespread practice, a very
significant (yet precisely unknown) number of people in Australia do not know
their families. When I asked a male relative why we had never been told the
truth, he said:
Nobody talked about those things then.
What
has impacted on me most strongly in the experience of researching through
approaches of art writing and historical research, is the dis-regard and de-valuation
of mothers and motherhood in this cultural and personal family history, which
is the history of the last century of Australian history, since Federation.
Aboriginal
women and mothers, in particular, were treated appallingly in this time. Rape
was a weapon and tool of assimilation policy that was one of those things that
were not talked about. Covered up in a cloak of secrecy and shame. Yet the
official policy of assimilation held that if a child had not “100% Aboriginal
blood” then they could be taken and brought up as a ward of state, this was a policy
with an ugly mission to “breed out” “aboriginality”. Supposedly, colonial
authorities “believed” that the Aboriginal people were a dying race and in
three generations would be gone (Human Rights and Equal
Opportunity Commission, www.hereoc.com).
The
strength of feelings, and endurance, of Aboriginal women looking back on this
now are well expressed by the broadcaster and Aboriginal activist Aunty
Shirley*, speaking at a 2007 rally on Human Rights Day, in Sussex Street,
Sydney.
“Aboriginal
women are the backbone that has built this country. They have lain on their
backs and been raped and given birth to white fella’s babies and had their
children taken away and grieved for their children. And their blood is in this
city and in these buildings. We won’t go away. Will we stay around? Come back
next year…” (Skilbeck 2007).
Aunty Shirley, Human Rights Day, Sydney 2007. Photo: Ruth Skilbeck |
At
the Rally, I took photographs of Aunty Shirley’s passionate speech and was
deeply moved by her words (which I quoted in an article I wrote soon afterwards
on Australian identity, dislocation, exile and art). This was a year and a half
before my mother passed away. It was only afterwards, that I found out how
closely connected I am my self to the experience of internal exile, that I too
am part of this experience of mass dislocation and loss of identity that
resulted from the mass exclusion and denial of Mothers in Australia throughout
the 20th century."
*Not a family relative, it is Aboriginal custom to call elders Aunty and Uncle.
This is an extract from Ruth Skilbeck's forthcoming article: "Remembering Australia's Forgotten Mothers: Reclaiming Lost Identity on Colonial History", to be published this December in The Journal of the Mother Initiative, a peer-reviewed journal produced by the Motherhood Initiative for Research and Community Involvement (MIRCI) at York University, Toronto in Canada.
"I wrote this article after presenting a paper on these themes at the MIRCI Mothers in History: Histories of Motherhood international conference, in May in Toronto, Canada. It is part of my ongoing creative arts and humanities research into Australian colonial and family history, which includes writing a novel, about my search for my Mother's birth family."
Copyright Ruth Skilbeck 2012
Skilbeck, Ruth (2008) ‘Make Art Not War’. Homepagedaily.com (Pink Oblong column, writing in nom-de-plume Rosa Viereck) Feb 2008.
Skilbeck, Ruth (2012), ' Remembering Australia's Forgotten Mothers: Identity and Colonial History', Journal of the Motherhood Initiative, Vol. 3, Issue 2, Fall/Winter. Forthcoming
Skilbeck, Ruth (2012), ' Remembering Australia's Forgotten Mothers: Identity and Colonial History', Journal of the Motherhood Initiative, Vol. 3, Issue 2, Fall/Winter. Forthcoming
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