Showing posts with label The Writer's Fugue. Show all posts
Showing posts with label The Writer's Fugue. Show all posts

Tuesday 23 July 2013

FuguEditions

Post by Ruth Skilbeck

FuguEditions is the name of my publishing imprint, and I will post the link to the new website in the coming days. 

My first publication will be The Writer's Fugue, and I will then be publishing the books in my series Australian Fugue, five interlinked novels that explore aspects of identity, growing up, impacts of trauma  in living in conflict areas (Northern Ireland), friendships, making a career as a young writer, family secrets, and more from the perspective of a woman growing up in the contemporary world, in England, Ireland and Australia. 

I will also be publishing full length books on the most popular topics in this blog, The Daily Fugue which I have kept for over two years now. By far the most popular post has been my story on Sex, Art and the Inner World: Women Artists Reclaiming their Creative Birthright. Featuring Australian, British and international contemporary women artists whom I have interviewed and written about, here in this blog, and in some cases in articles published in arts periodicals and peer reviewed journal. These include Tracey Emin, Diane Mantzaris, Fiona Foley, Del Kathryn Barton, and more.

So going by the popularity of this article there is a worldwide interest in this timely topic. I am working on this publication now. Progress details will be posted including updates on the artists works and exhibitions. 

More information on FuguEditions soon.

All the best,

Ruth

The Writer’s Fugue: Journey into Indie Academic Arts Publishing


The Writer’s Fugue: A Journey into Indie Academic Arts Independent Publishing
 by Ruth Skilbeck, PhD

Dear Readers,

It has been a while since last I wrote, and longer since I wrote regularly of my search to find my motherline, and of my adventures as a commuting part-time-elevated-from casual-lecturer, at universities in Sydney to the northern city of Newcastle of New South Wales. Why the silence? I have been busy working on plans for a new writing and publishing venture, which I have made hints about, in the course of the blog, though not sure when I was writing then what form these ideas and research into online and new publishing would take.
Some of you will know that I have been writing a five fugue novel series, with series title Australian Fugue. The latest of the books in the series is about how I found my mother-line, and tells the story of my mother’s family’s secret past. In the book I reveal the secret I have uncovered.
Some of my readers will know that I researched and wrote my PhD in creative writing and cultural studies (literature and philosophy in old disciplines) – on The Writer’s Fugue: Musicalization, Trauma and Subjectivity in the Literature of Modernity (that was awarded by UTS-Sydney in 2007). I have continued to publish my essays and articles in the arts press and academic journals – and my work appears in Communication and Critical/Cultural Studies; The International Journal of the Arts in Society; The Journal of the Motherhood Initiative; Pacific Journalism Review, The International Journal of the Image (in press). But I hesitated over where and how to try to publish my books – as book publishing is changing so rapidly by the day it seems, I have not been sure what was the best way to try to publish.

I have been extensively researching the options for academic and creative writing book publishing. It seems to me that the most interesting and innovative things are happening in the areas of author-publishing, not self-publishing in the old mode of ‘vanity publishing’ but instead authors starting up their own publishing imprints and houses, to publish their own works, and promote these online. The term is ‘indie authors’ and an industry has rapidly grown up around this new form of publishing, as indie authors hire and manage teams of editors, book designers, website designers, to help them make their books, and promote them to readers around the world.  Many have heard of the successes of some best-selling fiction authors who have done this, such as J.F. Penn, historical fiction author,  Libby Fischer Helmann, best selling crime writer  and recent successes widely reported in mainstream media of E.L James author of erotic fiction Fifty Shades of Grey, recently made into a feature film, and many others writing in new and hybrid and traditional genres, and in literary fiction. Increasingly indie authors are negotiating deals with major commercial publishing companies- though some choose not to, and a new trend is best selling and successful authors moving into indie publishing so they can have more control over their books and works. Indie authors now regularly are found in the bestselling author lists, and many have huge audiences around the world that they connect with through the conversational modes of social media, and through the new ebook and book distribution platforms such as Amazon, Google, Goodreads (more on these in future posts). Now indie authors are able to publish ebooks and to make beautifully designed books of their works available through platforms such as Smashwords As the number of readers using ereaders, is growing around the world, the distinctions between indie authors own imprints and the imprints of commercial publishing companies had blurred, with many readers even preferring to read works by indie authors- to see what they are doing and how they are doing it.
In my research, I have found out that many commercial and large publishers will not now take on new authors unless they are independently published, and have already established their own readerships.
What I am interested in doing, and am going to be trying out, as well as publishing creative wriitng is publishing academic works.
So far, I have not come across any academic authors who have published in this way.

My first book publication will be The Writer’s Fugue, my redesigned PhD. It’s been up for a while as a virtual presence on Google though I didn’t put it up there, and don't know who did, and its page numbers are overestimated, in reality it is closer to 280 pages, not the 556 that some unknown agent has recorded. It is up there on the internet as a ghostly presence and I will soon be replacing it with the real thing. An ebook and book, with a proper cover designed by myself, rather than the absence that currently marks the place. Though it serves the purpose of a prompt and reminder that I must not waste any more time!
Already I have encountered a number of challenges to do with publishing a PhD as a book as an indie author, or independent author, to give this more gravitas.

I will discuss these challenges, and share my progress in publishing my first book The Writer’s Fugue, and how I am addressing these challenges in my coming blog posts. Meanwhile I am starting up my own publishing house, and imprint, and will reveal that here soon.

From now on I will be using my blog to share my progress in independent publishing, and you can expect daily posts on news and views on my research and experiences in the processes of creative indie publishing, and independent academic publishing.  I am trialing daily posts, and will do this over the next few weeks – anticipated time frame. This will focus on my first publishing venture The Writer’s Fugue, published as a book, that I will write about in the Daily Fugue.

I will be sharing the information I have researched for readers and writers and artists- like myself, and hope that it will be useful to you.

Happy writing and reading, and all the best,

Ruth

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