Showing posts with label Australian Contemporary Art. Show all posts
Showing posts with label Australian Contemporary Art. Show all posts

Saturday 16 November 2013

New Trends in Literary Publishing- Author-Publishing in Australia


The purpose of this project is to make a limited edition special collectors edition of the novel The Antipode Room, which will be published on December 1, 2013. The aim is to make a limited edition eBook, and signed print book to commemorate the launch. This will also be the first book publication of its kind in Australia, hence the occasion for a commemorative edition.
The book began life in an MA and PhD in creative writing and literature and has since evolved into its own form. This is the first author-publisher new literary publication, to use eBook and printed book format in Australia, which aims to show other authors that this is a viable way of reaching new audiences and readers.

Synopsis:
Interweaving loss of self-awareness coupled with a strange excursion or journey, The Antipode Room, is a fugue narrative, telling of Ruby’s flight to Australia and her past lost life, it voices the main characters’ inner thoughts of: Ruby, Hugo, Ray and Margarita. She ends up on a murder charge in an Australian jail.
Innocents are often condemned, scapegoated, for crimes they did not commit, but is this the case with Ruby? Imprisoned in Australian jail she writes to remember what happened on that "fateful fatal afternoon" when her best friend violinist, Margy, was murdered. The Antipode Room is based in London, Sydney, Newcastle, forest in northern New South Wales, the underground opal town Cooper Peedy and the desert. The main character "Countess Ruby Rivers" emerged in London from an amnesiac fugue, forgetting her past, she reinvents her self-identity and her past. Her life is transformed when she meets the infamous conservative phenomenologist and professor, Hugo, who gives her Ruby Love, a contemporary art gallery in inner London. The Antipode Room is a point of departure, the space of the art gallery, it tells the story of their one-way trip to Australia on a mission to collect Australian artists for Ruby Love.
A chance meeting in a Sydney art galley, at the opening of the NEW REPUBLIC exhibition brings Ruby into dangerously close proximity to the leader of art-activists, Art Criminals, who had a mysteriously profound influence in another life; she has not been able to forget his words, and her lost self rushes back. Forgetting Hugo, she disappears with Ray.

I think you might lose yourself gazing into mesmerizing sclerophyll forests in northern New South Wales.

    Another day I might feel inclined at the low ebb before lunch, to go into my office and lock the door. Browse through my private collection; fall into images of beauty, irresistibly seductive objects of desire. Objects. I can hold within my gaze. I can own and possess in a way that’s impossible to ever possess a real lover. Make mine forever. (The Antipode Room)

The Antipode Room is 75,000 words, a medium length novel of approx. 240 pages to be published as an eBook, and printed book, with photographs.






The cover image is a new photographic work:


Blue Fugue, digital photographic montage, Ruth Skilbeck (2013)



E-Book and printed book.

Tuesday 1 January 2013

Arts Features International Online

Arts Features International our arts writing and cultural research media platform has gone online.

It's a nail biting moment taking off and hoping to take flight as we know well at the Daily Fugue.

Will it fly or will it fall, or fail? Will their be a fake crash landing scare, or maybe it's just not that big a deal. Arts Features International is not a new venture, this is its 10th anniversary, so much of the site will be devoted to archives and collecting essays to publish in book form.

Here is a link to a new interview I have just done with Alex Wisser, director of Cementa_13.   http://artsfeatures.com/.  

Let us know what you think!

Ruth Skilbeck


Arts Features International Online

Arts Features International our arts writing and cultural research media platform has gone online.

It's a nail biting moment taking off and hoping to take flight as we know well at the Daily Fugue.

Will it fly or will it fall, or fail? Will their be a fake crash landing scare, or maybe it's just not that big a deal. Arts Features International is not a new venture, this is its 10th anniversary, so much of the site will be devoted to archives and collecting essays to publish in book form.

Here is a link to a new interview I have just done with Alex Wisser, director of Cementa_13.   http://artsfeatures.com/.  

Let us know what you think!

Ruth Skilbeck


Friday 7 December 2012

Summer of Art in The Daily Fugue- Cementa_13 and These Heathen Dreams

 By Ruth Skilbeck

This summer, The Daily Fugue is excited to be reporting on two significant new Australian- International contemporary arts projects: Cementa_13 contemporary arts festival. And These Heathen Dreams, a new documentary film in the making, on Australian émigré artist Christopher Barnett.

 Cementa_13, is a new contemporary arts festival based in the rural-industrial town of Kandos, New  South Wales. Over 70 artists will be gathering over four days in early February for a unique festival event in the town which was founded in 1901 as the base for a cement works  - that  made cement  used in many Sydney constructions including the Sydney Harbour Bridge. Last year the cement works closed down, and in the inimitable style of creative renewal (made famous through Renew Newcastle) now artists are moving in to rejuvenate the empty sites and create a memorable event that is putting Cementa on the art map. The festival is the brain-child of organisers artists Georgina Pollard and Alex Wisser. Ruth Skilbeck's interview with Alex Wisser will appear in the Daily Fugue, along with reports  leading up to the festival which runs from February 1-4.

Kandos, NSW


These Heathen Dreams is a documentary film in the making about émigré Australian artist and poet and theatre director Christopher Barnett, who has lived and worked in France since the 1980s. Christopher had a profound influence in Adelaide's conceptual performance arts scene in the early 80s, and left the country to work in political theatre in Europe. The documentary is being made by Anne Tsoulis, director, and Georgia Wallace-Crabbe, producer, Ruth Skilbeck will be interviewing makers of the documentary and writing about the ideas and work of Christopher Barnett that inspired  this collaborative venture between the documentary's makers in Australia and France.

The Daily Fugue will be following and reporting on these arts projects in progress, throughout the Australian summer. Interviews with the founders and directors will appear here soon.

Both projects are start-ups and self funded with Pozible crowd funding campaigns, in the making; and Facebook pages.

Tuesday 6 September 2011

'Urban Aboriginal Women Artists' in the International Journal of the Arts in Society

A research article I wrote on contemporary urban Aboriginal women artists has just been published in the International Journal of the Arts in Society


The article discusses Fiona Foley's work in the context of the history of the Boomali Aboriginal art collective, and the transnational communication of urban Aboriginal women's art in the international art world. Also included in the article are photographs and analysis of works from Foley's installation on Cockatoo Island at the 2010 Sydney Biennale, and from the exhibition of indigenous women's art held concurrently at the Sydney College of the Arts, Women's Art, Women's Business with works by ProppaNow artists including Jennifer Herd, Andrea Fischer and Bianca Beeson and curated by Dr Tressa Berman, director of San Francisco-based community arts organisation, BorderZone Arts. This was held as part of the 5th International Conference in on the Arts on Society at Sydney College of the Arts.


Below is one of several photographs in the article of the work of prominent urban Aboriginal Australian artist, Fiona Foley, that I took when she showed me around her first major survey show, Fiona Foley: Forbidden at Sydney's Museum of Contemporary Art, 2009-10.




Figure 6: Fiona Foley. Dispersed 2008, charred laminated wood, aluminum, .303 inch calibre bullets, edition of 3, 9 parts, each 52 x 32 x 25 cm. Collection National Gallery of Australia, Canberra, purchased 2008; and Stud Gins, 2003, exhibited in Fiona Foley: Forbidden Museum of Contemporary Art, Sydney 2009. Photograph: Ruth Skilbeck