Showing posts with label Ruth Skilbeck Escape Artists PostMistress Press Anthology. Show all posts
Showing posts with label Ruth Skilbeck Escape Artists PostMistress Press Anthology. Show all posts

Tuesday, 12 July 2016

ESCAPE ARTISTS: The Dandy at Dusk- Philip Mann in PostMistress Press Anthology 1


By Ruth Skilbeck, Editor of  'Escape Artists' PostMistress Anthology 

Updated 15 October, since publication of The Dandy at Dusk by Paris Paysan Press.


Today’s featured artist in the 'EscapeArtists' PostMistress Press Anthology 1 is Philip Mann. We are delighted to be publishing a chapter from author Philip Mann’s forthcoming book The Dandy at Dusk: Stories of Elegance and Nostalgia, an elegantly written and provocative work, now published by ParisPaysanPress.  This is the first book to explore in depth the phenomenon of the dandy, in its social, cultural and political ramifications, in terms of gender and the self.

However, our pleasure was tempered by our regret, for Philip Mann, at the series of difficulties for the author in the course of his book contract negotiation with a highly regarded and long-established mainstream publisher. This is the kind of story that is not unfamiliar to those who work in publishing, and of course to the many authors who are finding it increasingly difficult to publish.

Under the title Dandies at Dusk, Philip Mann’s book was going to be published by Flammarion, a long established publisher in Paris. But then Flammarion changed hands. Philip Mann was informed that Flammarion still wanted to publish his book. But then there was unwelcome change. Flammarion, following the trend of many mainstream publishers now, requires that an author have a sponsor to back the publication. They require a sponsor or self-funding of a substantial sum. Even after the book was up on Amazon as a pre-order (where it can still be seen). In January, Philip was told that Flammarion would, regretfully, not be going ahead with the publication, which they have worked on for two years.  Here are the details of the book description from the Amazon site- which even though Flammarion sent Philip Mann a letter in January breaking the contract to publish is STILL on the Amazon website with the details of the book as if it is about to be published:

Author Philip Mann dispels the myth that dandyism centers upon aestheticism through portraits of the first dandyRegency England’s Beau Brummelland six twentieth-century figures: Austrian architect Adolf Loos, The Duke of Windsor, neo-Edwardian couturier Bunny Roger, eccentric writer and raconteur Quentin Crisp, French film producer Jean-Pierre Melville, and New German Cinema savant and “inverted dandy” Rainer Werner Fassbinder. He chronicles their style, identity, influence, melancholy, and often untimely demise, using a mélange of photography, biography, and anecdote. Weaving their stories into an extensive and entertaining history of tailoring and men’s fashion, he offers incisive perspectives on the dandy’s aesthetic concerns, pensive nostalgia for the golden Edwardian era, and a nonchalant persona. He contextualizes the relationship of dandyism to decadence and to modernism, while simultaneously portraying the cultural development of a century punctuated by two World Wars and social upheaval.

This volume presents dandyism—the embodiment of aesthetic and intellectual ideals—from its origins with Beau Brummell to its major twentieth-century representatives. Author Philip Mann dispels the myth that dandyism centers upon vanity through portraits of the first dandy—Regency England's Beau Brummell—and six twentieth-century figures.



 Illustration for The Dandy at Dusk by Floc'h, in 'Escape Artists' PostMistress Press Anthology 1

 Floc'h the well known French artist drew the illustration above for The Dandy at Dusk.

postmistresspress.com

This anthology project, and founder Ruth Skilbeck's author publishing projects of her books, that she has sold mainly via communication with people on facebook, have attracted and drawn together a strong, supportive creative movement of artists and writers whose works are in the anthology.
 

Ruth Skilbeck, PhD, is a widely-published author, art writer, and photographer, and has lectured in several Australian universities.


The Anthology is being published on the Fuguescapes imprint.


FIND OUT MORE ABOUT THE ANTHOLOGY HERE

There is now a way you can support the publication of this new anthology here.  
 
 

Saturday, 9 July 2016

ESCAPE ARTISTS: Shifting Perspectives and Cultural Identity: The Works of Fan Dongwang in PostMistress Press Anthology


  ESCAPE ARTISTS ANTHOLOGY: The Art of Fan Dongwang

By Ruth Skilbeck


Today’s featured artist from the Escape Artists Anthology is Dongwang Fan, whose exploration of the differences in perspective between Chinese art traditions and the modern one point linear perspective in Western art history is presented in a chapter from his research as an artist in the ‘third space’ zone in-between cultures, after he left China and moved to Australia in the 1990s. 


The ‘Escape Artists’ PostMistress Press Anthology will present Dongwang Fan’s chapter “The Western Vision” from his work The Dancing Shadows: Shifting Perspectives and the Body (2013), and his series of paintings  that put his new theories of shifting perspective into practice. 



 Fan Dongwang, Descendant Bodies #1 (Blue) 1996. Acrylic on canvas, 178 x 254 cm





Fan Donwang's essay, and paintings such as Descendant Bodies #1 (Blue), above, visually and conceptually explore perspective, in cultural and aesthetic practice, as a methodology and as a metaphor for fluidity and mixing cultural and bodily identity, with other cultures, times, and machines of technology- encouraging us to consider how Postmodernism shifted perspectives of gender, and the bodily self, in many ways, or sought to.


As we are living out that computer linked virtual reality now that is one of the themes of the 'Escape Artists' anthology. We are living in the future of virtual reality shifted perspectives and screen cultures imagined by science fiction, and the future painted by Fan Dongwang, in the 1990s. How does this mixing of images and fragments in ‘posts’, ‘tweets’ of short attention spans and the scrolling flood of images in virtual communication affect concepts of selves, body image, and identity? These have been major cultural identity questions that have dominated and continue to dominate our lives.

Fan Dongwang, Descendant Bodies #2 (Green). 1996. Acrylic on canvas 170 x 280 cm.



Fan Dongwang’s essay explores ideas in the history of perspective, from Egyptian art and the Renaissance, to the Modern one point linear perspective, to the modernist return, and changes in our Postmodern era.




This is a fascinating essay grounded in deep knowledge of traditions of perspective in art in China that has much to say to us now as so many are using social media without necessarily reflecting very much about what we are really doing, and how this new screen culture is affecting our images of our selves, how we interact with others, and how others see us. Reading Fan Dongwang and studying the images of his paintings, opens up a new context for us to think about how we are communicating and representing our selves- online, and mixing of images and texts, and how this is shifting perspectives, of selves, others and of the dimensions of time and space in virtual reality.



Fan Dongwang. Shifting Perspectives and the Body #1- Double Screens. 1998. Acrylic on canvas, 244 x 180 cm.







This anthology project, and founder Ruth Skilbeck's author publishing projects of her books, that she has sold mainly via communication with people on facebook, have attracted and drawn together a strong, supportive, creative movement of artists and writers whose works are in the anthology.
 


Ruth Skilbeck, PhD, is a widely-published author, art writer, and photographer, and has lectured in several Australian universities.


The Anthology is being published on the Fuguescapes imprint.


FIND OUT MORE ABOUT THE ANTHOLOGY HERE